Scope: An English rendering of Katakamuna Uta 30, separated into transliteration, controlled literal gloss, and interpretive English.
Japanese Source Text
トヨ クモヌ フツ サカル ツミ フトナ シメシ ウタ マリ タハネ
カフシ ウキ フヌ メクル マリ ウヒ チニ ホロシ カタ カムナ
タカ マカ ムスヒ ヌシ イモ イク クヒ カミ ワク サトリ
Source Authority and Review Boundary
The source authority for this translation is the published Japanese entry for Katakamuna Uta 30. Its canonical text, structural analysis, and evidence labels govern any discrepancy. This English rendering preserves the transliteration, literal gloss, and interpretive layer separately; it does not expand the Japanese authority’s claims.
Publication boundary: this page does not reproduce private research archives or the full text of rights-unverified modern materials. Historical, linguistic, and comparative statements retain the certainty limits of the Japanese authority.
Review disclosure: linguistically reviewed by TENMON AI under owner authorization; it is not represented as human-reviewed.
Transliteration
Toyo Kumonu — Futsu Sakaru — Tsumi Futona — Shimeshi Uta Mari Tahane — Kafushi Uki Funu Mekuru Mari — Uhi Chi ni Horoshi — Katakamuna — Takamaka Musuhi Nushi — Imo Ikukuhi — Kami Waku Satori
Literal Gloss
A rich cloud-womb carries fire-water inward. A broad fissure runs and differentiation increases; accumulated fire-water receives a great name. The guiding song rounds and binds resonance. Fire-water joins, floats, contains, and revolves; old condensation in primal earth-blood is released and returned to Katakamuna. High Musuhi acts, life-stakes pass through the receptive womb, and divinity is discerned through differentiation.
Interpretive English
Uta 30 gathers a long cycle of cloud, rupture, naming, song, circulation, release, and renewed Musuhi. Old earthly condensation is loosened so divine functions can be distinguished anew. All comparisons remain subordinate to the canonical Japanese source.
Evidence Boundary
This English edition preserves the Japanese source’s distinction between canonical text, structural observation, TENMON interpretation, comparison, and unverified hypothesis. Sound correspondences are not presented as proof of historical etymology.