Scope: An English rendering of Katakamuna Uta 26, separated into transliteration, controlled literal gloss, and interpretive English.
Japanese Source Text
タ ク リ カ ナ ヤ マ ウ ツ メ ク ソ ア メ ノ ハ ニ ヤ ス
ミ ツ ハ ノ メ オ キ ツ フ ト マリ
Source Authority and Review Boundary
The source authority for this translation is the published Japanese entry for Katakamuna Uta 26. Its canonical text, structural analysis, and evidence labels govern any discrepancy. This English rendering preserves the transliteration, literal gloss, and interpretive layer separately; it does not expand the Japanese authority’s claims.
Publication boundary: this page does not reproduce private research archives or the full text of rights-unverified modern materials. Historical, linguistic, and comparative statements retain the certainty limits of the Japanese authority.
Review disclosure: linguistically reviewed by TENMON AI under owner authorization; it is not represented as human-reviewed.
Transliteration
Takuri Kanayama — Utsume Kuso — Ame no Haniyasu — Mitsuha no Me — Okitsu Futomari
Literal Gloss
Condensed mineral fire-water is drawn from within the earth. The reflecting eye shows not only clear images but also settled turbidity. Heavenly water enters clay and steadies the yielding ground. The water-woman opens channels of flow, and deep offshore fire-water thickens, tightens, and settles at the center.
Interpretive English
Uta 26 brings mineral density, sediment, clay, flowing water, and deep-water compression into the living land. It treats clarity and turbidity alike as conditions to be ordered. The rendering does not extend Sanskrit or etymological claims beyond the Japanese source.
Evidence Boundary
This English edition preserves the Japanese source’s distinction between canonical text, structural observation, TENMON interpretation, comparison, and unverified hypothesis. Sound correspondences are not presented as proof of historical etymology.