TENMON JITEN

Katakamuna Uta 67: Kaze Mitsu Toro Yama Tsutsumi

Katakamuna Uta 67TENMON JITEN — English Edition CandidateAI linguistic QA reviewed; not human reviewed

Scope: An English rendering of Katakamuna Uta 67, separated into transliteration, controlled literal gloss, and interpretive English.

目次
  1. Transliteration
  2. Literal Gloss
  3. Interpretive English
  4. Evidence Boundary
  5. Japanese Authority

Transliteration

Kaze Mitsu Toro Yama Tsutsumi — Kumito Yama Tsutsumi — Kamunagara — Iwato Numa Tsutsumi — Otowa Yama Tsutsumi — Toro Kaeshi — Ao Ama Iwato Yamatsumi Hara — Yamatsumi — Ame no Yoha Ihotsu Wake

Literal Gloss

Wind-current, three waters, and mud-like turbidity are enclosed in mountain; the mountain becomes an assembled gate. Rock-gate and marsh form one enclosure and become a mountain-ring of sound. Turbidity is returned to generation; a blue-heaven rock mountain stands, the mountain-field spreads, and the current divides from heavenly leaves into many harbors.

Interpretive English

Uta 67 integrates mud, marsh, rock, mountain, and sound, returning turbidity to the cycle before dividing it into many outlets. This is symbolic structure, not geological or etymological fact.

Evidence Boundary

This English edition preserves the Japanese source’s distinction between canonical text, structural observation, TENMON interpretation, comparison, and unverified hypothesis. Sound correspondences are not presented as proof of historical etymology.

Japanese Authority

Read the canonical Japanese entry for Uta 67.